Saturday 23 March 2013

LOGOCENTRISM - Buffy The Vampire Slayer: Hush

The Theory:

Logocentrism is a term coined by the German philosopher Ludwig Klages in the 1920s. It refers to the tradition of "Western" science and philosophy that situates the logos, ‘the word’ or the ‘act of speech’, as epistemologically superior in a system, or structure, in which we may only know, or be present in, the world by way of a logocentric metaphysics. For this structure to hold true it must be assumed that there is an original, irreducible object to which the logos is representative, and therefore, that our presence in the world is necessarily mediated. If there is a Platonic Ideal Form then there must be an ideal representation of such a form. This ideal representation is according to logocentrist thought, the logos.

(courtesy of: http://en.wikipedia.org/wiki/Logocentrism)



The Story:

courtesy of: http://images2.wikia.nocookie.net/__cb20090118185150/buffy/images/5/51/410_Hush.jpg


During a college lecture where Dr. Walsh is discussing the difference between language and communication, Buffy has a dream in which Riley kisses her. They are interrupted by a young girl holding a distinctive box, singing a cryptic rhyme about "The Gentlemen". Riley and Buffy speak after class and they almost kiss, but are unable to stop talking. They leave when it becomes awkward. Buffy calls Giles to tell him of her dream and the details of the little girl's rhyme.
At Giles' apartment Xander and Anya argue, as Anya is trying to get Xander to tell her what she means to him. He is unable to answer her. Willow attends a meeting of the campus Wicca group, hoping to meet others who share her interest in studying witchcraft, but is disappointed when they only talk about bake sales. Willow raises the subject of spells but is chastised for pandering to the stereotype about witches performing magic. A shy woman in the group named Tara Maclay (Amber Benson) starts to speak up to support Willow's suggestion, but falls silent when the attention turns to her.
That night, as Sunnydale sleeps, white wisps float from each person's mouth to a belfry, where they settle in the box from Buffy's dream as ghoulish skeletal figures with metallic-toothed grimaces and impeccable black suits look on. In the morning, Buffy and Willow discover they are unable to speak and become visibly distressed; they soon discover that everybody is unable to speak. The group gathers at Giles' where they see that the news is reporting that Sunnydale is suffering from an epidemic of laryngitis. Buffy and Riley, each concerned that chaos will ensue, find each other attempting to keep order on the streets. They exchange a look and then have their first kiss before parting to continue their efforts.
The next night, the ghouls leave the belfry and float into town accompanied by their straitjacketed, deformed minions. They knock on the door of a student. When he opens it, aroused from sleeping, they hold him down and carve out his heart while he tries in vain to scream. At Giles' apartment his visiting girlfriend, Olivia, is frightened by one of The Gentlemen outside Giles' window. The following morning in a campus classroom, Giles uses a series of overhead transparencies to explain to the others that The Gentlemen steal the townspeople's voices so no one can scream as they gather the hearts they need, and that folklore indicates that they have been vanquished before when a princess screamed—the only thing that will kill them is a live human voice.
That evening, Anya falls asleep on Giles' sofa while Spike takes a mugful of blood from the refrigerator. Xander enters Giles' apartment as Spike, his mouth wet with blood, bends down to pick up something that he dropped in front of the sofa where Anya sleeps. Inferring that Spike bit and drank from Anya, Xander pummels him ferociously until Anya wakes and stops him; excited that he fought to defend her, Anya gestures that they go home for sex.
On her own Tara finds a spell to help the town get its voices back, and goes out to show it to Willow. On the way to Willow's dorm she trips, turns around and sees The Gentlemen floating toward her. In Willow's dorm she frantically knocks on doors which no one will open; The Gentlemen steadily pursue her. Willow hears Tara's panicked knocking down the hall and exits her room as Tara sprints into her, sending them both tumbling. They lock themselves into a laundry room and try to barricade the door with a vending machine, but it is too heavy for them to move. Willow, injured, sits and concentrates on moving the machine with telekinesis; she fails, but Tara sees what she is doing. They clasp hands and the machine moves swiftly across the room, blocking the door.
On patrol, Riley notices shadows in the belfry and goes to investigate. Buffy finds two of The Gentlemen's minions, kills one and runs after the other. Riley fights his way into the belfry and while he's embattled, Buffy crashes through a window, fighting. He turns to attack and finds himself face to face with Buffy. She fights while he stares, unmoving. When a minion pins her down she sees and recognizes the box from her dream and gesticulates wildly for Riley to destroy it. When he does so, the stolen voices escape. Buffy screams until the heads of The Gentlemen and their minions explode.
The next day, Tara tells Willow she is special and has significant power. Riley comes to visit Buffy in her dorm room and they sit facing each other, saying nothing.

(courtesy of: http://en.wikipedia.org/wiki/Hush_(Buffy_the_Vampire_Slayer))



The Criticism:

courtesy of: http://hardinthecity.files.wordpress.com/2012/04/buffy-hush-the-gentlemen.jpg


"Hush" explores issues relating to the limits and benefits of language and communication. During the first act of the episode, the characters are presented as being overwhelmed by language that is misused, used as white noise, and employed as a means of avoiding truth. This depicts an abuse in the usage of language, and the misuse of it is contrasted with striking silence once the second act commences. The characters are shown to be very vulnerable and helpless without a solid means of communication, and throughout the episode, they are shown to attempt various ways to establish dialogue and understanding among themselves. This scenario further emphasizes the importance of language as a communication device and its indispensability in today's society.

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